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Do You Remember Rock ‘N Roll Radio?


Ever get the feeling you’re in a dream and everyone can see you standing there in your underwear as you munch on smelts and banana ice cream? No? OK then, neither do I, forget I mentioned anything.

One of the oddest dichotomies of independent music is “I saw them back in the day” syndrome. It’s a highly unstable contagion that generally first hits you when you realize that your friends’ band is more than just say, a shitty 7 Seconds or Bikini Kill tribute like everything else in your dead-end local music scene. They might actually have something there. You stumble across an unknown opening band at a show or in a bar one night when your initial interest in the evening is drinking until your face melts off. And they’re good. Like, real good. You can’t believe it, even though you don’t know the words you’re still tapping your foot or, in some cases, throwing yourself around on the floor, slamming around like crazy over how great this band is.
You get a copy of their demo. Maybe a shirt as well. See them whenever you can, whenever they play. It’s your band; they’ve got that one song that you totally know what it’s about because hey, you guys run in similar circles or whatever, how can you not? Regardless, they slowly become the best band you’ve heard in ages. And quite frankly, there’s nowhere to go but up. And this, mes amis, is where the problems start.

You know what I mean, and don’t deny that you haven’t done it either.

Too often you’ll see it. He or she is the person at the back of the room or at the bar loudly proclaiming to anyone who’s stupid enough to listen that (s)he remembers them BACK IN THE DAY WHEN THEY WERE GOOD. “You mean back in the day when only you knew about them, right?”

Exactly.

Has the dream started yet? No? Never mind then, forget I mentioned that, OK?

Nowadays with the almost overflow of reunions that seem to be moving in as the “cool” thing to do (some of which I do approve of, by the way, like Lifetime and American Steel), there are even more of these assholes around. And of course, who can forget the Internet? Any message board worth it’s salt will have at least one long-time poster who will insistently remind anyone who bothers to read about “seeing Rage Against The Machine before they went corporate and sold out, man” or “hanging out and seeing the Bouncing Souls play in a basement in Jersey when they were starting out.”

God, I fucking hate that sort of shit.

Anyway, like I said, it’s a dichotomy. Why, you might ask? After all, punks have always been a fickle and shallow bunch. Same with indie kids, except they’re just not as angry about being called on it like punk kids. Why should I be surprised?

First off, I’m not surprised, so back off. Secondly, it makes me think. When I was younger all I ever wanted was to have friends who understood me, who had the same tastes in books and movies and MUSIC. And every time I had a chance I’d try to explain my favorite bands to other people. The impression that I’ve always gotten from the truly honest and true believer is that music you encounter and know is meant to be shared.

What good is a band that’s done so much for you and could possibly do the same thing for someone else, when they’re in the same town playing the same basements to the same group of people? What good is keeping something like that contained against its will? That’s not to say that there aren’t bands out there content to simply play and have fun in their own communities, not really wanting to become part of a larger industry because they feel content with where they currently are. But that’s not everyone, which is something that I don’t think people realize. With their perverted and twisted definitions of “community,” instead you get whole tracts of people decrying even an ounce of success simply because they feel left out.

It generally baffles me. Community, at least in 2007, should have absconded from the definitions of physical boundaries within a geographic area a long time ago. I encounter new bands all the time, a lot of them up-and-coming. If I like them, I’ll mention them any chance I get. To my friends, my family (who don’t really care), to total strangers on the streets, at shows, and on the Internet over distances I can’t cover on the subway.

Now, I’d like to clarify that I’m not advocating the mindless acceptance of every band that’s out there. I’ll be the first to admit that I’m a bit of prick in terms of what I like and what I’ll insult to within an inch of sanity. There are a lot of bands out there that, sad to admit, would take advantage of the “reunion” craze for a quick cash buzz or an attempt to try and “solidify” their so-called legacy of having been just one of many shit bands out there. Of course not to mention all those bands that’ll blow off their original fan base the instant they smell an inkling of success.

But these aren’t enough reasons to totally give up hope. To cast aside your idealism and revel in the cynicism of “back in the day” syndrome. Trust me, I’ve seen some bad cases and the treatment for curing it isn’t pretty.

It involves lots of sing-alongs and sitting in a chair getting electroshock while wearing headphones. And no one wants that, no matter how much fun you had as a kid sticking your finger in a wall socket.

Downloading Music > Stealing A Car

A recent comment by NBC/Universal lawyer Rick Cotten has him stating:

“Our law enforcement resources are seriously misaligned. If you add up all the various kinds of property crimes in this country, everything from theft, to fraud, to burglary, bank-robbing, all of it, it costs the country $16 billion a year. But intellectual property crime runs to hundreds of billions [of dollars] a year.”

It’s good to know that should I ever have to resort to breaking and entering but get caught, I can make a semi-valid claim in my own defense that hey, at least I’m not ripping off the entertainment industry. So how about going easy there on me, your honor?
While this article is mainly focusing on copyright infringement in regards to movies and other creative properties owned by the MPAA, it’s pretty transparent that this is an attitude that seems to be growing amongst music-industry representatives and executives who stand to get fat loot (yo!) supporting the likes of the RIAA. Off the backs of college students (their supposed primary market), small children, and of course, the dead.

I don’t think it stands as a surprise to anyone anymore to see this sort of shit getting espoused, though those of us who stand against it should be aware of a growing ripple effect that groups like the MPAA and RIAA are triggering to protect their interests, rather than say producing superior entertainment mediums that people will actually pay for. I don’t know about you, but I only buy shit I like and don’t waste my time on crap, hence why my hard-earned dollars go into beer and Chinese food, rather than paying for crap music that’s not worth the plastic it’s recorded on.

Thanks to Consumerist.com on this one.)

Pissed Jeans On Tour

Not ones to stay at home and make a mess, Pissed Jeans begin a short tour in support of their recently released Sub Pop debut, Hope For Men (which has quickly become one of my favorite releases of the year)tomorrow.

For those of you unfamiliar with the band, Pissed Jeans often draw comparisons with the Jesus Lizard (because the pull off that whole jeans and no shirt look David Yow style) and Flipper (because they sound like they’re all on speed). I managed to watch them with the Dicks and Marked Men last year and I highly reccomend catching them if they hit your town. Dates after the jump.

06/15/07 - Johnny Brenda’s - Philadephia, PA w/Tile, Blues Control
06/16/07 - AS220 - Providence, RI w/Rusted Shut, Snake Apartment
07/13/07 - The Bank - Baltimore, MD w/Vincent Blackshadow, Leprechaun Catering, Beastmaster
07/21/07 - Southpaw - Brooklyn, NY w/Fucked Up, Tyvek, Ludlow
08/25/07 - 1515 - Los Angeles, CA w/Plastic Little, Best Fwends
08/26/07 - The Echo - Los Angeles, CA
As you may have noticed, they’re playing Brooklyn with Fucked Up. Ever heard of them?

[youtube]http://www.youtube.com/watch?v=NkerBAkMKuw[/youtube]

Pissed Jeans

The Mountain Goats Preview New Songs


The fine folks at Daytrotter hooked up with John Darnielle of The Mountain Goats at this past year’s South by Southwest to record some new tracks that are finally seeing the light of day. Many of these new songs feature the exploits of boxers and cowboys. The Goats also cover “Babylon Burning”, a tune Darnielle believes may have been originally done by Bob Marley & the Wailers or Peter Tosh. Check out the four songs here but act fast since “Babylon Burning” is limited to only 1,000 downloads.

Last Plane To Jakarta
The Mountain Goats


Contest: Ask 108 A Question, Score Album


Do you have something you want to ask hardcore stalwarts 108? Well, all of us here at Late Night Wallflower, along with our buddies at Getxfresh, want to give you a chance.

First things first, send your question to our e-mail address, latenw@hotmail.com. We will be taking questions until next Wednesday, June 20th. After we receive all of your questions, we will pick one person randomly who will win a copy of the band’s brand new album, A New Beat From A Dead Heart, which is being released by Deathwish on June 26th.

So send those questions in and you just might win a copy of 108’s new record! It’s that freaking simple.

108’s official site
Deathwish