Entries Tagged as 'interview'

Thursday’s Geoff Rickly Talks About Hot Water Music

As we said below, Thursday is playing a huge show with Hot Water Music and Paint It Black at Terminal 5 in NYC this weekend. Along with all the excitement that comes with HWM’s return to the Big Apple, It’s also Thursday first official show in the city in nearly two years.

We talked to Geoff a few months ago, but I had a chance to talk with him recently about the show, the infamous Warped Tour 2006 incident in Long Island, and the new full-length. Stay tuned for all of that and the rest of my interview with Geoff on Monday. For now, read about his thoughts on the show this weekend.

Do you feel like this show is sort of your NYC comeback?

Geoff: It’s more about Hot Water Music playing. I love that band. Our first demo, we axed a song because the beginning of it was Blacktop Cadence and the end was Hot Water Music. We were like, ‘we can’t do this. This is too fucked up.’ It’s one thing to wear your influences on your sleeve. It’s another to take somebody’s song and pass it off as your own. [Laughing] This weekend, it doesn’t feel like [it's] about Thursday to me. [Hot Water Music is] back and I’m stoked about them playing again.

Interview With Toby Morse Of H2O

Photo Credit: Todd Pollock

“I wanted to make our Everything Sucks,” H2O lead singer Toby Morse said when describing the process of making their latest album, Nothing To Prove (Bridge Nine Records). While nearly ten years passed between those Descendents records, comparing the two makes sense. Seven years have passed since their last record, the much-discussed major label debut, GO. Think about that for a second. By music industry standards, that’s like being gone for a century.

Personally, I graduated high school and college in that time frame. All the bands that were banging out that mall-rocking pop punk back in 2001 have traded in their Dickies for dayglo hoodies and flat-brimmed baseball hats. Hell, the whole music industry is a different machine now. Ultimately though, through it all, H2O are still, as Morse describes, the “same old dudes” and their message will never change. Nothing To Prove is their testimony to that.

It’s been seven years since GO. Obviously, a lot has happened with you personally and the band along the way. That being said, what do you want the overall message of Nothing To Prove to be?

Toby: We’ve changed as people as far as getting older and having more responsibilities [but] we haven’t changed as people who still believe in the music that we were playing seven years ago. All the albums, the message and how we grew up into this music, it’s still instilled in us. We’ve done the indies and we’ve done the majors. We definitely paid our dues. It was a no pressure and fun record to make.
We all have other forms of incomes. Before it was a full time thing and now it’s not. We did the record in two and a half weeks. What do we have to lose at this point? We definitely wanted to make our best album. When the Descendents disappeared for a long time, they came back with Everything Sucks and that record was amazing. I wanted to make our Everything Sucks. A record that when you heard it, you’d be like ‘oh shit, these dudes still got it.’ It’s the most personal record [but] it’s just as raw and in your face as the first couple records. The last record we had a lot of money and a lot of time to make it. I wish we would have done it this way.

Read more after the jump.

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Interview With The Binary Code

The Binary Code are the answer to New Jersey’s endless amount of shitty Bruce Springsteen and Bouncing Souls clones. They are a unique combination of hardcore and metal heaviness, with an almost jazz or concert-violinist technicality. Both brutal as fuck and incredibly concise and intricate at the same time, they are on a mission to put all those dayglo-wearing “metalheads” to shame.

Give me a brief history of The Binary Code.

Jesse Bartholomew [Guitarist]: It’s a long history as far as members go. We’re kind of like the Steely Dan of underground metal. We’ve had so many different members since we started back in 2004. Basically, I met a couple of dudes who wanted to play the same stuff I was into. I worked in a music store selling instruments, and the dudes came in and heard what I was playing, and we got to talking, and that was the beginning. I was trying out for their band, and the bassist ended up wanting to form our own band with me. We lost touch for like three months before we formed the Binary Code. I went to Florida for my mother’s wedding, and my grandfather back in New Jersey passed away the day my mom married. So I came home to the funeral, after the wedding, and got a hold of the bassist.

Read after the jump for more with The Binary Code.

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Interview With Henry Rollins

Think back to when you first discovered punk rock. What were some of the names and bands that first entered your vocabulary and ear drums? The Dead Kennedys, Bad Brains, The Misfits… of course. The list goes on and on. Excluding Henry Rollins from that class would be a crime. Through his work in Black Flag and Rollins Band, he’s inspired an uncountable number of people, along with his writing, radio, and spoken word career.

Of late, Rollins has left the band life behind and hopped back on the spoken word path. I got a chance to catch one of his performances at Brooklyn’s Warsaw that went down late last month. It was a blistering, three-hour marathon of conversations, ranging from Pakistan to his one-off performance with The Ruts in ‘07. The topics were wide and Henry’s delivery, of course, was relentless. I mean, god damn, one sip of water after three hours of talking? What else would you expect?

I had a chance to talk with Rollins on the phone while he was in Athens, Georgia for a gig. We talked about his recent trip to Cape Town, South Africa, the two books he’s working on for ‘08, and his thoughts on the upcoming presidential election.

I know you’ve been traveling around a lot lately with the tour. One of the stories I saw on the website that I thought was really interesting was your experience in Cape Town, South Africa. Can you expand on everything you experienced?

Henry: It was mind-blowing. I’ve been to Africa seven times and of all the trips there that was the one that really moved me the most. Unless you just sit in the hotel all day, you end up seeing things that are very moving and extremely beautiful, very sad and sometimes scary. Life and death is so in your face there. It’s very real. In South Africa, what was interesting and different than Egypt or Morocco was the white/black dynamic. There’s a lot of white people, there’s a lot of black people. I wasn’t use to seeing so many white neighborhoods in Africa. The apartheid, which is in the past, is still a topic. You can’t not talk about it. What I saw was a lot of people dealing with the aftermath of it. Trying to get move on past it and get on to what the new chapter is going to be. That was the fascinating thing. The white and black people that I met were working together to move forward. To see these people really wanting to make tomorrow different. I ended up walking around in these townships, basically a government run zone. You see a whole lot of people living in a small space. Basically, the dorm room from hell. People having to make due in very close proximity to each other. 1,000 people, four toilets. Aids clinic, 150 patients a day, one doctor. They realize as long as they stick together and have a strong sense of community and teach their children right. If they let it slide then what? It was very hard to see some of the stuff but it was inspiring to see how they were dealing with it. I met some of the strongest people I’ve ever met like these doctors treating AIDS and HIV patients. It’s the most grueling work and they are saving lives. I don’t know what their off-time is like. This one woman who worked there, she’d been there for eleven years. Teenage, HIV- positive moms with their kids walk by you. ‘Wow, this is very real.’ We are not joking around. In America these days, we are given some wiggle room. It’s not really in your face like it is in South Africa. Walk into a room full of HIV-positive people waiting for treatment. It’s an amazing facility, it’s immaculate and people get tremendous care, but there’s a lot of them. That’s what I encountered. The audiences, primarily white people, [were] incredible audiences. I can’t wait to go back there. The show sold out really quickly. The promoter said we could do these shows tomorrow night and we’d sell them out again. We are looking at trying to get me back out there sooner or later. I’d love to put South Africa on my tour.

Read more of my interview with Henry Rollins after the jump.

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Interview With Paint It Black

Anyone that reads this site knows how much we love Philly’s phinest (intentional) hardcore bros Paint It Black. The band just released their ferocious third full-length New Lexicon (Jade Tree) last week. I’m not going to really beat around the bush here because in this situation the proof is in the pudding. Just listen to the album and compare it with their other albums and you’ll see what I mean. I’d rather have the band speak for themselves.

I talked with members Dan Yemin, Andy Nelson and Jared Shavelson a few weeks ago, while I was on the clock at work no less, when they were in NYC. For nearly an hour and a half, we talked about the early stages of the record, their recent record release shows in Philadelphia and, of course, their infamous house show down at the Fest VI in Gainesville.

I know there was another title for the album before it came out, “Gravity Wins.” Why did you change it to the New Lexicon? What does it mean?

Andy: That was never the title of the record. It was a working title and someone misunderstood something in an interview that happened while we were making the record.

Dan: I said ‘tentatively titled.’

Andy: One person posts something on one site and it just goes everywhere. Titling songs, records and bands is the most difficult thing.

Dan: It’s such a battle. You’ve spent two years working on this body of stuff that you’ve poured everything into and then you have to choose one to three words to define it.

Read on after the jump for the rest of my interview with Paint It Black.

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