Entries Tagged as 'Interview'

Interview With The Binary Code

The Binary Code are the answer to New Jersey’s endless amount of shitty Bruce Springsteen and Bouncing Souls clones. They are a unique combination of hardcore and metal heaviness, with an almost jazz or concert-violinist technicality. Both brutal as fuck and incredibly concise and intricate at the same time, they are on a mission to put all those dayglo-wearing “metalheads” to shame.

Give me a brief history of The Binary Code.

Jesse Bartholomew [Guitarist]: It’s a long history as far as members go. We’re kind of like the Steely Dan of underground metal. We’ve had so many different members since we started back in 2004. Basically, I met a couple of dudes who wanted to play the same stuff I was into. I worked in a music store selling instruments, and the dudes came in and heard what I was playing, and we got to talking, and that was the beginning. I was trying out for their band, and the bassist ended up wanting to form our own band with me. We lost touch for like three months before we formed the Binary Code. I went to Florida for my mother’s wedding, and my grandfather back in New Jersey passed away the day my mom married. So I came home to the funeral, after the wedding, and got a hold of the bassist.

Read after the jump for more with The Binary Code.

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Interview With Henry Rollins

Think back to when you first discovered punk rock. What were some of the names and bands that first entered your vocabulary and ear drums? The Dead Kennedys, Bad Brains, The Misfits… of course. The list goes on and on. Excluding Henry Rollins from that class would be a crime. Through his work in Black Flag and Rollins Band, he’s inspired an uncountable number of people, along with his writing, radio, and spoken word career.

Of late, Rollins has left the band life behind and hopped back on the spoken word path. I got a chance to catch one of his performances at Brooklyn’s Warsaw that went down late last month. It was a blistering, three-hour marathon of conversations, ranging from Pakistan to his one-off performance with The Ruts in ‘07. The topics were wide and Henry’s delivery, of course, was relentless. I mean, god damn, one sip of water after three hours of talking? What else would you expect?

I had a chance to talk with Rollins on the phone while he was in Athens, Georgia for a gig. We talked about his recent trip to Cape Town, South Africa, the two books he’s working on for ‘08, and his thoughts on the upcoming presidential election.

I know you’ve been traveling around a lot lately with the tour. One of the stories I saw on the website that I thought was really interesting was your experience in Cape Town, South Africa. Can you expand on everything you experienced?

Henry: It was mind-blowing. I’ve been to Africa seven times and of all the trips there that was the one that really moved me the most. Unless you just sit in the hotel all day, you end up seeing things that are very moving and extremely beautiful, very sad and sometimes scary. Life and death is so in your face there. It’s very real. In South Africa, what was interesting and different than Egypt or Morocco was the white/black dynamic. There’s a lot of white people, there’s a lot of black people. I wasn’t use to seeing so many white neighborhoods in Africa. The apartheid, which is in the past, is still a topic. You can’t not talk about it. What I saw was a lot of people dealing with the aftermath of it. Trying to get move on past it and get on to what the new chapter is going to be. That was the fascinating thing. The white and black people that I met were working together to move forward. To see these people really wanting to make tomorrow different. I ended up walking around in these townships, basically a government run zone. You see a whole lot of people living in a small space. Basically, the dorm room from hell. People having to make due in very close proximity to each other. 1,000 people, four toilets. Aids clinic, 150 patients a day, one doctor. They realize as long as they stick together and have a strong sense of community and teach their children right. If they let it slide then what? It was very hard to see some of the stuff but it was inspiring to see how they were dealing with it. I met some of the strongest people I’ve ever met like these doctors treating AIDS and HIV patients. It’s the most grueling work and they are saving lives. I don’t know what their off-time is like. This one woman who worked there, she’d been there for eleven years. Teenage, HIV- positive moms with their kids walk by you. ‘Wow, this is very real.’ We are not joking around. In America these days, we are given some wiggle room. It’s not really in your face like it is in South Africa. Walk into a room full of HIV-positive people waiting for treatment. It’s an amazing facility, it’s immaculate and people get tremendous care, but there’s a lot of them. That’s what I encountered. The audiences, primarily white people, [were] incredible audiences. I can’t wait to go back there. The show sold out really quickly. The promoter said we could do these shows tomorrow night and we’d sell them out again. We are looking at trying to get me back out there sooner or later. I’d love to put South Africa on my tour.

Read more of my interview with Henry Rollins after the jump.

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Interview With Paint It Black

Anyone that reads this site knows how much we love Philly’s phinest (intentional) hardcore bros Paint It Black. The band just released their ferocious third full-length New Lexicon (Jade Tree) last week. I’m not going to really beat around the bush here because in this situation the proof is in the pudding. Just listen to the album and compare it with their other albums and you’ll see what I mean. I’d rather have the band speak for themselves.

I talked with members Dan Yemin, Andy Nelson and Jared Shavelson a few weeks ago, while I was on the clock at work no less, when they were in NYC. For nearly an hour and a half, we talked about the early stages of the record, their recent record release shows in Philadelphia and, of course, their infamous house show down at the Fest VI in Gainesville.

I know there was another title for the album before it came out, “Gravity Wins.” Why did you change it to the New Lexicon? What does it mean?

Andy: That was never the title of the record. It was a working title and someone misunderstood something in an interview that happened while we were making the record.

Dan: I said ‘tentatively titled.’

Andy: One person posts something on one site and it just goes everywhere. Titling songs, records and bands is the most difficult thing.

Dan: It’s such a battle. You’ve spent two years working on this body of stuff that you’ve poured everything into and then you have to choose one to three words to define it.

Read on after the jump for the rest of my interview with Paint It Black.

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Interview With Crime In Stereo

For a band that supposedly was on the verge of breaking up at this time last year, Crime In Stereo is doing pretty darn well. In fact, they seem to have undergone a complete 180. The band’s latest …Is Dead has been well received by new and old fans alike, new tours are in the works, and they’ve finally found a label to call home with Bridge Nine. It wasn’t surprising to find Alex Dunne (guitars) and Kristian Halbert (vocals) in very good spirits when Late Night Wallflower got a chance to talk to them after their set at Philly’s First Unitarian Church. No, really. It was at times difficult to transcribe the interview because of all the giggling.

I’m really into the new CD, I’ve been listening to it nonstop since I got it. I noticed it’s pretty different from your older stuff, and I just wanted to go through how that new sound came about, and what made you guys decide to follow that route.

Dunne: Well, there’s really no way to word this properly so I don’t sound like a complete douchebag. But, we love our fans. We love everybody that loves our band, even if they only like the first record or whatever. But anybody that has supported our band in any way, we love you. So let me put that out there.

Halbert: Hallelujah.

Dunne: Aside from that, we all kind of have this opinion like, “Fuck everybody.” And not literally like “Fuck the people who like our band,” you know, we’re very grateful. But as musicians, musically, we have a “fuck you” attitude. We don’t wanna do what people want us to do. We don’t wanna do what people think we’re going to do. Everytime we go to write songs or make a record, it’s really about personal growth. Unfortunately, we can’t take into account the opinions and judgements of every single person that likes our band. It was like “What kind of record can we make?” We thought we really stepped it up on The Troubled Stateside (Nitro), we thought that was some next-level shit. And thats where we were at, and it was time to do some more next-level shit.

Keep reading for more of Leah’s interview with Crime In Stereo after the jump.

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Interview With Steak Mtn.

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I had a chance to talk with Brooklyn-based illustrator and designer Steak Mtn., AKA Christopher Norris. Over the years, he has made a name for himself through projects with bands, including The Draft, Atom & His Package, and Fake Problems. You’ve probably, however, seen most of his designs through Against Me!. Chris has built a creative relationship with the band that includes doing artwork for 7-inchs, tour posters and most recently, The New Wave Collection, a line of t-shirts that represents every song on the band’s most recent album New Wave.We chatted about drawing and design, how his relationship with Against Me! began and what he has lined up for Steak Mtn.

Why did you move to New York from Florida five years ago?
Chris: I came here with a girl I was dating. She wanted to go to school. Right about that time, I started taking what I was doing a little more seriously. I didn’t have a college education. I was just in crummy bands and toured and I ended up laying out and drawing pictures for records. You’re not really world-weary until you get into a big city and see that you aren’t the only kid that draws pictures.

Read more of my interview with Steak Mtn. after the jump!

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