Last night served as an introduction to punk rock for my little sister. See, we have gravitated to two seemingly different subcultures. Mine racuous punk rock and her’s, a quiet infatuation with anime and video games. I went to check out her scene at a terrifyingly geeky convention called Otakon, where creepy men and awkward kids walked around dressed up like cartoon characters and creamed over Japanese cartoons. I couldn’t really get the appeal of the whole thing but I was convinced that last night my sister wouldn’t deny the type of raw energy and excitement these three bands are able to conjure up.
Equipped with ear plugs and her Nintendo DS Lite, my sister meekly walked into the 9:30 Club naively hoping there would be no Woodstock ‘99 damage happening. I followed. We went through the double doors and she let out a shriek that made all of the security flinch. I told her it would be loud but The Riverboat Gamblers surpassed her expectations, and mine too. 
The crowd was made up of aging hipsters which meant more drinks and less crowd movement. The Riverboat Gamblers played their loud, garage rock and got nothing but blank stares back. The singer, Mike, had to feel the disdain and to counter that he attacked the audience’s comfort zone. Mike jumped over the barricade, walked through the crowd, jumped on top of the merch table, and climbed to the second floor of the club all the while screaming his heart out, and knocking startled hipsters in the face with his microphone cord. My sister jumped behind me, scared the madman with greasy, long hair would get too close.

The vibe of the audience changed dramatically as the time inched closer to when The Rollins Band would hit the stage. It started to get serious. I have never been a Rollins Band fan so I naturally didn’t have high expectations for their set. What an idiot I was. Their set made it the best show of the summer for me. To describe it as intense is an understatement. When Henry Rollins walked on stage it wasn’t a game and he was either going to inspire you or intimidate the hell out of you. Henry demands a high level of fixation and its hard not to give it to him when he is muscular, crouched, with his body wide spread, gyrating with nothing but shorts on, glistening with sweat and spitting and snorting between angry words. I was expecting Henry to be a little wordy at the show given his popular spoken words but he rarely said anything the whole night. In the one time that he did speak, he described a grisly scenario that implied politicians dying of suffocation by linen dinner sheets.

X’s set made for a light hearted follow up to the Rollins Band. I’ve seen X twice and they have never disappointed. Exene playfully danced around with her hands in her pockets singing fan favorite like “Once Over Twice”, “Year One”, and “We’re Desperate”, just to name a few. John Doe plowed away on the bass and crooned alongside Exene, showing more enthusiasm than anyone else in the band.
I was near the left side of the stage which meant that Billy Zoom was going to stare me down the whole night. Zoom looks like a creepy, smiling, wax statue when he plays but that made for great pictures.
An X set can never be long enough for me but sadly it had to end. Bill Zoom snapped pictures of the audience and shook a couple of people’s after their set. I was the first person whom he shook hands with and I have to say that was the longest time I have every shook a hand. I had to stare down at the floor after a while because his gaze was a bit stupefying.
I was eager to know how my sister felt about her first show but when I walked over to her after X’s set, I saw she had that damn video game. Before I could get flustered, she said she really liked the show, especially X, so its only a matter of time she’ll convert and be my new show buddy.
Tags: Henry Rollins, Riverboat Gamblers, X, show review by Matthew
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