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	<title>Late Night Wallflower &#187; Columns</title>
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		<title>The “Death” Of Music?</title>
		<link>http://www.latenightwallflower.com/site/2009/04/08/the-%e2%80%9cdeath%e2%80%9d-of-music/</link>
		<comments>http://www.latenightwallflower.com/site/2009/04/08/the-%e2%80%9cdeath%e2%80%9d-of-music/#comments</comments>
		<pubDate>Wed, 08 Apr 2009 14:54:34 +0000</pubDate>
		<dc:creator>Costa</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[music industry]]></category>

		<guid isPermaLink="false">http://www.latenightwallflower.com/?p=3027</guid>
		<description><![CDATA[Sarah Clemence recently wrote an interesting article for Condé Nast about what is probably the true status of the mainstream music industry. In it, she makes the case that in fact the music industry is not doing that bad, because while individual consumers aren’t buying CDs in droves, there is still revenue to be made [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Cool Kids</title>
		<link>http://www.latenightwallflower.com/site/2009/01/18/cool-kids/</link>
		<comments>http://www.latenightwallflower.com/site/2009/01/18/cool-kids/#comments</comments>
		<pubDate>Sun, 18 Jan 2009 17:39:35 +0000</pubDate>
		<dc:creator>Eric Grubbs</dc:creator>
				<category><![CDATA[Columns]]></category>

		<guid isPermaLink="false">http://www.latenightwallflower.com/?p=2717</guid>
		<description><![CDATA[&#8220;I guess it was just the kids that were too cool for school. They were geeky and they found their niche and then all the sudden, they became the assholes.&#8221; &#8211; George Rebelo on Hot Water Music&#8217;s first experience at 924 Gilman Street Something I&#8217;ve wondered about ever since I started going to punk and [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>&#8220;Anonymous&#8221; By Eric Grubbs</title>
		<link>http://www.latenightwallflower.com/site/2008/12/20/anonymous-by-eric-grubbs/</link>
		<comments>http://www.latenightwallflower.com/site/2008/12/20/anonymous-by-eric-grubbs/#comments</comments>
		<pubDate>Sat, 20 Dec 2008 19:05:16 +0000</pubDate>
		<dc:creator>Eric Grubbs</dc:creator>
				<category><![CDATA[Columns]]></category>

		<guid isPermaLink="false">http://www.latenightwallflower.com/?p=2639</guid>
		<description><![CDATA[Editorial note: I&#8217;d like to welcome Eric Grubbs onto the LNWF crew. Be sure to check out his website Theme Park Experience and his excellent new book Post. As somebody who likes to read Internet message boards and comment sections, I can’t help but wonder why people think there is safety in being anonymous. Moreover, [...]]]></description>
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		<slash:comments>7</slash:comments>
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		<title>The Music Industry Vs. Piracy: The Battle Continues</title>
		<link>http://www.latenightwallflower.com/site/2008/07/10/the-music-industry-vs-piracy-the-battle-continues/</link>
		<comments>http://www.latenightwallflower.com/site/2008/07/10/the-music-industry-vs-piracy-the-battle-continues/#comments</comments>
		<pubDate>Thu, 10 Jul 2008 17:49:24 +0000</pubDate>
		<dc:creator>Costa</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[downloading]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[essay]]></category>
		<category><![CDATA[industry news]]></category>
		<category><![CDATA[legality]]></category>
		<category><![CDATA[RIAA]]></category>

		<guid isPermaLink="false">http://www.latenightwallflower.com/?p=1196</guid>
		<description><![CDATA[Wired.com has an interesting story listing some of the most elaborate and infamous attempts by the major labels at preventing music piracy over the years.  Some of the tactics are quite inventive but ultimately pretty laughable.  If I had to do some of that shit for a CD to review, I&#8217;d probably pirate it just out of [...]]]></description>
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		<title>Canada&#8217;s Controversial Copyright Law, Bill C-61, Passes</title>
		<link>http://www.latenightwallflower.com/site/2008/06/17/canadas-controversial-copyright-law-bill-c-61-passes/</link>
		<comments>http://www.latenightwallflower.com/site/2008/06/17/canadas-controversial-copyright-law-bill-c-61-passes/#comments</comments>
		<pubDate>Tue, 17 Jun 2008 19:49:30 +0000</pubDate>
		<dc:creator>Costa</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bill C-61]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[DMCA]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[industry news]]></category>
		<category><![CDATA[legality]]></category>
		<category><![CDATA[MIAA]]></category>
		<category><![CDATA[music news]]></category>
		<category><![CDATA[RIAA]]></category>
		<category><![CDATA[ridiculousness]]></category>

		<guid isPermaLink="false">http://www.latenightwallflower.com/?p=1126</guid>
		<description><![CDATA[On June 12th, the Canadian Minister on Industry Jim Prentice introduced the passing of Bill C-61, a law that makes it illegal in Canada to break “digital locks” (DRM, aka Digital Rights Management, technology) on copywritten material.  C-61 is being compared to the American DMCA (the Digital Millennium Copyright Act), a law passed in 1998 [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Guest Column: &#8220;Benefits Shows Don&#8217;t Benefit Everyone&#8221;</title>
		<link>http://www.latenightwallflower.com/site/2007/12/07/guest-column-benefits-shows-dont-benefit-everyone/</link>
		<comments>http://www.latenightwallflower.com/site/2007/12/07/guest-column-benefits-shows-dont-benefit-everyone/#comments</comments>
		<pubDate>Fri, 07 Dec 2007 15:25:30 +0000</pubDate>
		<dc:creator>Matthew</dc:creator>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[guest column]]></category>

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		<description><![CDATA[Today, we have a guest column from Keith Gibbons, bassist for Southeastern, PA-based rock band Sincerly Monroe. In it, Keith outlines some problems he has with the mechanics of benefit shows. While there will always be a need for them, in some form, he provides some first-hand insight into how these shows might be causing [...]]]></description>
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		<slash:comments>2</slash:comments>
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